| MOVIE THEATERS CUT PRINT SHOWTIMES AS WEB GAINS - Monterey County Herald Posted: 25 Aug 2009 01:28 AM PDT KANSAS CITY, Mo. — Filmgoers who have long turned to the local newspaper to find theaters and showtimes for movies may have to start looking elsewhere as theater chains rethink the value of paper and ink in a digital age. The top two U.S. chains, Regal Entertainment Group and AMC Entertainment Inc., have begun in recent months to reduce or eliminate the small-type listings showing the start times for movies at individual theaters. Theaters typically must pay newspapers to print that information. Looking to cut costs, the theater chains are instead directing consumers to their Internet sites or third-party sites, like Fandango, Moviefone or Flixster, which offer those listings for free and make money from the fees they charge for selling advance tickets to movies. Many of those sites feature film reviews and movie trailers. The effort may be gaining some traction, as U.S. Internet traffic to AMC's Web site rose 21 percent in July compared with a year ago, according to comScore Inc., while visits to Regal's Web site were up 18percent. The Newspaper Association of America doesn't track revenue that newspapers generate from print movie listings, but believes the amount is relatively small. Yet every dollar counts as newspapers are forced to cut staff, reduce the frequency of print editions or even close completely amid the recession. And readers have come to expect such listings. Seeing them curtailed or disappear could give them yet another reason to abandon their subscriptions. "For a reader, some things that are ads are actually considered news," said Mort Goldstrom, the newspaper group's vice president of advertising. "Ads for concerts and things at clubs, for restaurants and movies — that's a reason people read." He said the pullback in listings will hurt theaters by reducing their visibility among potential customers, sending those dollars to competitors that still buy listings or to other sources of entertainment like plays or clubs. Readers formulating weekend plans "may look at something broader than Moviefone," he said. "That's the piece that newspaper Web sites have and niche (entertainment) publications have." Kansas City-based AMC helped shine a spotlight on the trend last month when it pulled its listings from The Washington Post, prompting the newspaper's ombudsman, Andrew Alexander, to deflect readers' ire in his blog. "Most readers believe that it was the newspaper's decision," Alexander wrote, comparing it to The Post's recent move to cut back on the newspaper's television listings. "In fact, movie listings in the print product are paid advertising, and it was AMC's decision to stop paying." The Post declined further comment, and Alexander wrote in his column that the newspaper wouldn't tell him how much revenue the AMC ads provided. AMC spokesman Justin Scott said daily movie listings are expensive and the theater chain believes that money would be better spent promoting its value programs or other theater events. "In an era when many moviegoers are using alternative resources to access showtimes, AMC has chosen to reallocate its showtime information methods," Scott said. Scott wouldn't say where else AMC has cut its listings and how much it has saved. But he said, "So far, we've seen no impact on attendance." Regal, based in Knoxville, Tenn., said its in-theater and online surveys found 60 percent to 80 percent of respondents received their movie listings online. "So we've evaluated our newspaper strategy on a case-by-case basis and in a number of markets have eliminated our newspaper ads," spokesman Dick Westerling said, adding that in other markets Regal theaters run movie listings only on the weekends. The company has eliminated ads in such markets as San Francisco, Seattle, St. Louis and Orlando, Fla. Westerling would not disclose how much Regal spends on movie listings, but he said ticket sales haven't significantly changed. He said the company also has tapped social networks, such as Facebook, MySpace and Twitter, to communicate listings with customers who sign up for updates. Carmike Cinemas, a Columbus, Ga.-based chain that operates primarily in smaller towns, has cut back on newspaper ads in some markets, in most cases just buying listings on the weekends. "Out of the 50 markets where we've done drastic reductions, I've received one complaint," said Dale Hurst, Carmike's director of marketing. "I'm not trying to be a soothsayer, but everyone seems to be going high-tech. They want it now." Some newspapers don't charge for movie listings, considering them akin to community meeting notices or television listings. In markets where the listings are free, Regal and AMC said they've continued to run movie listings. The newspaper association's Goldstrom said, though, that he knew of no newspaper that has dropped fees as a result of the theaters' pullback. Movie studios, meanwhile, have been cutting their newspaper advertising as well. The newspaper trade group said national movie-related display advertising totaled $141.5 million in the first quarter of 2009, or 51 percent lower than five years ago. Ken Doctor, a media analyst with Outsell Inc., said some newspapers have responded by teaming up with Web sites that sell movie tickets, gaining a small revenue stream on each ticket sold, or by selling movie studios sponsorships for parts of their Web sites. For example, he noted that The New York Times displays small ads for movies when a user wants to e-mail a news story to a friend. In general, though, Internet ad rates haven't matched what print commands. And as social-networking sites like Twitter and Facebook become the place to learn about which movies are hot and where they're playing, he said, newspapers and their Web sites risk losing their readers if they cannot quickly figure out how to tap in. Andrew Lipsman, director of industry analysis for comScore, said the online sites have become more interactive than newspapers. Although newspapers may try to add similar features to their own sites, he said, the damage may be done. "Once a behavior has moved from the print medium to online, in many cases people go to the online brands," Lipsman said. "They won't necessarily go to the newspaper."  This posting includes an audio/video/photo media file: Download Now |
| Movie Spotlight: This Week In Film - The Bulletin Posted: 25 Aug 2009 01:42 AM PDT Post Grad
After failing to secure her dream job, a recent college graduate (Alexis Bledel) is forced to return home to her eccentric parents (Jane Lynch and Michael Keaton) and feisty grandmother (Carol Burnett) whose antics distract her from her employment search and from her efforts to choose between her longtime boyfriend (Zach Gilford) and a Brazilian-born ladies' man (Rodrigo Santoro). A talented cast is becalmed, in veteran animation director Vicky Jenson's live-action debut, by a listless script which, though it boosts family solidarity, also features a passionate encounter between characters who have barely met and repeatedly refers to the importance of condom use. Brief nongraphic, nonmarital sexual activity, occasional sexual references, a half-dozen uses of profanity, at least one use of the F-word, and some crude and crass language. (PG- 13)
Shorts
Clever children's fantasy about a rainbow-colored rock that grants the wishes of anyone holding it, and the chaos its misuse wreaks on the lives of a bullied schoolboy (Jimmy Bennett), his parents (Jon Cryer and Leslie Mann), his chief persecutor (terrific newcomer Jolie Vanier), her tycoon father (James Spader) and their suburban community in general. Told in a series of nonsequential episodes, writer-director Robert Rodriguez's lively yarn, which carries messages about the dangers of power and the isolating effects of contemporary technology, generally makes for appealing family entertainment, though perilous special effects may overwhelm the most sensitive viewers, while some parents may find a story line about a mucus monster unpleasant. Occasional menace and mildly gross humor (PG) Aliens in the Attic
Mostly harmless comic adventure in which a group of young cousins (principally Carter Jenkins, Austin Butler and Ashley Tisdale) battle a quartet of aggressive extraterrestrials (voices of Josh Peck, J.K. Simmons, Thomas Haden Church and Kari Wahlgren) who've invaded their vacation home as a preliminary step to world domination. Director John Schultz's mildly diverting fantasy offers lessons about family unity and the value of education, but also includes dialogue inappropriate for younger viewers, who might otherwise enjoy it most. A few sexual references, occasional innuendo and at least one crass term.
Bandslam
Genial comedy with music in which a newcomer (Gaelan Connell) at a New Jersey high school overcomes his socially disastrous past when befriended by a popular fellow student (Alyson Michalka) who makes him the manager of her rock group as they prepare for the titular battle-of-the-bands competition, his confidence getting a further boost from his blossoming romance with a bookish goth (Vanessa Hudgens). Though it deals with a few mature topics, and is unlikely to interest very young viewers, director and co-writer Todd Graff's exuberant salute to clique-defying friendship is free of anything unsuitable for the tween-and-up audience at whom it's aimed. (PG)
District 9
Exceedingly violent yet powerful science fiction parable in which, two decades after the arrival in South Africa of an unwelcome race of human-sized but insect-shaped aliens, a bureaucrat (Sharlto Copley) for a multinational corporation charged with relocating them from the titular ghetto to a concentration camp finds his condescending attitude transformed when a chemical accident turns him into a fugitive from the system he previously served. Propelled by Copley's intense performance, director and co-writer Neill Blomkamp's unflinchingly harsh feature debut employs a mock documentary format to create an incisive study of prejudice and societal indifference. Considerable gory violence, including brief torture, pervasive rough and some crude language, and a few sexual references. ® Funny People
Told he has only a short time to live, a successful but isolated Hollywood comedian (a pitch-perfect Adam Sandler) hires a struggling comedy novice (Seth Rogen) as his assistant and sidekick, but their budding friendship is threatened by the protege's disapproval of his mentor's potentially destructive reunion with a now-married ex-girlfriend (Leslie Mann). Under a thick crust of raunchy humor and ostensibly misguided sexual attitudes, mature viewers willing to endure a barrage of vulgarity may discern a moving affirmation of moral courage, marital fidelity and the pursuit, however halting, of a meaningful, committed life in writer-director Judd Apatow's overlong but generally effective seriocomic tale. Brief graphic nonmarital sexual activity, adultery, upper female nudity, pervasive rough and crude language, and a half-dozen uses of profanity. (R)
G-Force
3-D fantasy adventure, combining live action and animation, in which a team of three guinea pigs (voices of Sam Rockwell, Tracy Morgan and Penelope Cruz) and a mole (voice of Nicolas Cage), all trained and equipped as government agents by an innovative scientist (Zach Galifianakis), work to foil the plans of a sinister industrialist (Bill Nighy) bent on world domination. As directed by Hoyt H. Yeatman Jr., this exuberant, at times spectacular, rodent romp portrays the crime-fighting team, which eventually includes an enthusiastic but inept pet-store guinea pig (voice of Jon Favreau), as an improvised family, sustained by cooperation, self-sacrifice and forgiveness; these are positive lessons for all but the most impressionable viewers, who might be frightened by repeated scenes of peril. (PG)
G.I. Joe: The Rise of Cobra
Futuristic combat fantasy in which two soldier buddies (Channing Tatum and Marlon Wayans) join an elite international force (led by Dennis Quaid) to thwart an evil arms dealer (Christopher Eccleston) bent on world domination. Special effects are expensive and the lives of the extras are cheap in director Stephen Sommers' slick but uninvolving action excursion, developed from a line of Hasbro toys. Pervasive action violence, brief gore, at least two uses of profanity and about a dozen crude or crass terms. (PG13)
Imagine That
A work-obsessed investment adviser (Eddie Murphy) connects with his young daughter (Yara Shahidi) after accidentally discovering that the inhabitants of an imaginary kingdom she has created give accurate financial predictions, aiding him in his competition with a pretentious but popular rival (Thomas Haden Church). Director Karey Kirkpatrick's timely and charming comic fantasy, which also features Martin Sheen as a renowned tycoon, elevates family bonds over the paper kind and, a couple of slightly crass terms aside, makes appropriate viewing for all generations. (PG)
Julie & Julia
Charming, frequently funny dramatization of passages in the lives of master chef Julia Child (a marvelous Meryl Streep) and Internet blogger Julie Powell (Amy Adams), who, 40 years after the publication of Child's 1961 blockbuster, "Mastering the Art of French Cooking," sets out to prepare every recipe in the extensive volume over the course of a year, aided by her supportive husband (Chris Messina) -- whose solicitude parallels that of Child's own spouse (Stanley Tucci) decades earlier. Writer-director Nora Ephron whips up a delicious melange of the two women's memoirs and, more significantly, details the ingredients, ranging from passion to patience, requisite for a successful marriage. Fleeting nongraphic sexual activity, a few sexual references, a suicide reference, at least one use of the F-word and about a dozen crude or crass terms. (PG13)
Ponyo
Enchanting English-language version of a Japanese animated fable about a determined goldfish (voice of Noah Cyrus) who escapes from the underwater realm of her domineering wizard father (voice of Liam Neeson) to explore the world beyond, and comes under the protection of a plucky, affectionate 5-year-old boy (voice of Frankie Jonas), whose love for her is tested both before and after her mysterious transformation into a little girl. Originally written and directed by Hayao Miyazaki, the mythic tale, inspired by Hans Christian Anderson's "The Little Mermaid," uses masterful artistry to recapture the innocence and wonder of childhood, while deftly delivering a warning against environmental carelessness. (G)
The Proposal
To avoid being deported back to Canada, a hard-driving New York book editor (Sandra Bullock) coerces her brow-beaten executive assistant (Ryan Reynolds) into getting engaged, but the hostility underlying their charade of love mellows during a visit to his parents' (Mary Steenburgen and Craig T. Nelson) Alaska home for his grandmother's (Betty White) 90th birthday. Brief interludes of questionable humor and a largely predictable plot aside, director Anne Fletcher's effervescent romantic comedy is mostly a valentine to family affection and against-the-odds ardor. Implied premarital sexual activity, fleeting nudity, some sexual humor, a couple of crude and a dozen crass words, at least two uses of profanity. (PG13)
Public Enemies
Polished dramatization of the last months of famed Depression-era gangster John Dillinger (a commanding Johnny Depp) as he orchestrates prison breaks, continues his bank-robbing spree across the Midwest, repeatedly eludes capture by special agent Melvin Purvis (Christian Bale) of the nascent FBI, and romances Chicago coat-check girl Billie Frechette (Marion Cotillard). Though the bullets fly in director and co-writer Michael Mann's sleek adaptation of journalist Bryan Burrough's 2004 history, the violence never becomes excessive, and the focus remains on Dillinger's complex personality, his perverse popularity and the moral limits circumscribing law enforcement. Considerable action violence, brief torture, cohabitation, brief nongraphic premarital sexual activity, at least one use of the F-word, and occasional crude and profane language. (R)
The Time Traveler's Wife
A librarian (Eric Bana) afflicted with a genetic disorder that causes him to disappear from the present and travel -- involuntarily and randomly -- through time pursues romance with an artist (Rachel McAdams) who has known him since childhood, when he befriended her during visits from his future. At its core the enjoyable tale of a lifelong committed relationship, director Robert Schwentke's adaptation of novelist Audrey Niffenegger's 2003 best-seller features persuasive central performances that divert attention from the logical loose ends, though not from some behavior that would be objectionable in less far-fetched circumstances. Brief nongraphic premarital sexual activity, rear nudity, a sterilization theme, a few uses of profanity, and some crude and crass language. (PG-13)
Harry Potter and the Half-Blood Prince
At the behest of his mentor (Michael Gambon), the now-teenage wizard (Daniel Radcliffe) ingratiates himself with a returning Hogwarts instructor (Jim Broadbent) who once taught his archenemy Lord Voldemort and whose memories may hold the key to defeating the villain, while adolescent romantic tensions complicate the lad's relationship with his two closest friends (Rupert Grint and Emma Watson). As directed by David Yates, this sixth adaptation of J.K. Rowling's hugely popular fantasy novel series is a richly textured, though at times overcrowded, adventure narrative in which good and evil are clearly delineated, but characters present a range of moral shading. Also shown in Imax. Moderate action violence, occasional peril, a couple of crass expressions, and a few vaguely sexual references. (PG)
Ice Age: Dawn of the Dinosaurs
Mostly delightful animated sequel in which a mammoth couple (voices of Ray Romano and Queen Latifah), a tiger (voice of Denis Leary) and two possums (voices of Josh Peck and Seann William Scott) search for the missing sloth (voice of John Leguizamo) who rounds out their improvised herd, and discover the underworld of dinosaurs to which he has been unwillingly carried. A few touches of vaguely crude humor aside, director Carlos Saldanha's epic 3-D quest, which also features Simon Pegg voicing the adventurers' wacky weasel guide, is well calculated to charm viewers of all ages with its portrayal of loyalty and teamwork. (PG)
Monsters vs. Aliens
Affable animated comedy-adventure in which a trio of kindly monsters (voices of Seth Rogen, Hugh Laurie and Will Arnett) led by a once-ordinary woman (voice of Reese Witherspoon) who became a giant after being struck by a meteor, are released from government captivity in the custody of a gung-ho general (voice of Keifer Sutherland) and commissioned by the president (voice of Stephen Colbert) to combat an evil alien (voice of Rainn Wilson) whose schemes threaten humanity. Co-directors Rob Letterman and Conrad Vernon create a lavish 3-D homage to 1950s-era sci-fi B-movies that also celebrates friendship, teamwork and the heroic potential of everyday people. Also shown in Imax. Moderate action violence and a bit of vaguely sexual and slightly crude humor. (PG)
My Sister's Keeper
Generally well-acted if sometimes soggy family drama about a strong-willed mother (Cameron Diaz excellent in a not-always-likable part), in denial about her teenage daughter's (Sofia Vassilieva) losing battle with cancer; the loving but conflicted father (Jason Patric); and sister (Abigail Breslin), who hires a lawyer (Alec Baldwin) for "medical emancipation" so she won't be forced to donate her kidney to her sister. Affecting, despite basic plot contrivances and a couple of morally questionable elements, co-writer and director Nick Cassavetes' tear-jerker ultimately presents a positive view of marriage and family. A nongraphic nonmarital sexual encounter, in vitro conception, disturbing hospital imagery, brief rough and crude language and a couple of profanities, domestic discord, some mild sexual talk and brief teenage drinking. (PG13)
Night at the Museum: Battle of the Smithsonian
Enjoyable sequel, again directed by Shawn Levy, has the ex-Museum of Natural History night guard (Ben Stiller) traveling to Washington to rescue his formerly inanimate friends -- the museum's display figures (Owen Wilson, Robin Williams, Steve Coogan) -- from being archived in the Smithsonian. With the help of Amelia Earhart (Amy Adams) and General Custer (Bill Hader), they must ward off Egyptian pharaoh Kahmunrah (funny Hank Azaria), Ivan the Terrible (Christopher Guest), Napoleon Bonaparte (Alain Chabat) and Al Capone (Jon Bernthal). Kids will love the gags (the humor stays clean) and excellent special effects, and adults will appreciate the wit of some of the D.C. museum's most iconic paintings and sculptures springing to life. (PG)
Orphan
Atmospheric but ultimately exploitative chiller about a couple (Peter Sarsgaard and Vera Farmiga) who adopt a 9-year-old Russian-born girl (Isabelle Fuhrman) from a Catholic orphanage, only to find that her inexplicable, manipulative behavior is tearing their marriage apart, and may pose a physical threat to their two other children (Jimmy Bennett and Aryana Engineer). Director Jaume Collet-Serra's horror outing begins promisingly enough by relying on Fuhrman's ability to unsettle the audience, but interludes of excessive violence and distasteful psychosexual complications soon take hold, leading to a conclusion that plays on viewers' most visceral emotions. A few scenes of gory violence, brief graphic sexual activity, fleeting images of upper female and rear nudity, some rough and crass language, and a couple of uses of profanity (R)
A Perfect Getaway
Newlyweds (Steve Zahn and Milla Jovovich) on a hiking honeymoon in a remote area of Hawaii fear that an unwed couple they've befriended (Timothy Olyphant and Kiele Sanchez) may be serial killers on the lam. After a reasonably intriguing central twist, though one that fails to jibe entirely with what has gone before, director David Twohy's thriller becomes overwrought and excessively violent. Considerable action violence, some of it gory, cohabitation, drug use, rear and partial nudity, a half-dozen uses of profanity, and much rough and crude language. (R)
Star Trek
Exhilarating prequel to the "Star Trek" franchise as the youthful rabble-rousing James Tiberius Kirk (Chris Pine) forgoes his delinquent ways to join the crew of the Starship Enterprise -- including Leonard "Bones" McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (James Cho) and Chekhov (Anton Yelchin) -- where he soon clashes with rival Spock (Zachary Quinto) until they unite against the vengeful Romulan Nero (Eric Bana), intent on destruction. Director J.J. Abrams breathes new life into the series by skillfully balancing the well-executed action sequences with an absorbing human story, leavened with humor and optimism, and likable characters you care about, though some brief gratuitous sexuality and the use of several expletives restrict this to mature teens and up. Intense but not graphic action violence, a short but frisky bedroom scene with skimpy attire, some crude language and a single profanity. (PG-13)
The Stoning of Soraya M.
Compelling and often moving, if necessarily violent, fact-based drama set in Iran, in which a philandering husband (Navid Negahban) falsely accuses his wife (Mozhan Marno) of adultery with her employer (Parviz Sayyad), eventually convincing her neighbors (David Diaan and Ali Pourtash, among others) to condemn her, despite the vigorous protests of her courageous aunt (Shohreh Aghdashloo). Director and co-writer Cyrus Nowrasteh's adaptation of the best-selling book, which also features Jim Caviezel as author-journalist Freidoune Sahebjam, takes an admirable stand against injustice, but depicts the climactic execution extremely graphically. A sequence of intense violence, torture, sexual references, one rough and a few crude and crass terms. In Farsi. Subtitles. (R)
 This posting includes an audio/video/photo media file: Download Now |
0 Response to "“Leonardo Dicaprio Loses Weight For Movie - Newsblaze.com” plus 4 more"
Posting Komentar