“Winfrey, Tyler Perry push new film 'Precious' - Asbury Park Press” plus 4 more

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“Winfrey, Tyler Perry push new film 'Precious' - Asbury Park Press” plus 4 more


Winfrey, Tyler Perry push new film 'Precious' - Asbury Park Press

Posted: 15 Sep 2009 01:03 AM PDT

Lee Daniels has an Oscar-winning movie to his credit, but he still needed some big-time help to draw attention to his latest film about a girl who overcomes crushing abuse.

He got it from Oprah Winfrey and Tyler Perry. They are the executive producers of "Precious,'' which had a premiere at the Toronto International Film Festival over the weekend.

In an interview with The Associated Press, Winfrey said she was happy to help bring more attention to the film.

"Everyone needs someone to help them navigate,'' the TV talk-show host explained. "I had Bill Cosby, Quincy Jones, Sidney Poitier and Maya Angelou who I look to. You can't do that on your own. Someone has to show it to you.''

Daniels, who directed "Precious,'' produced "Monster's Ball,'' which won Halle Berry an Oscar for best actress in 2002.

"Precious'' was adapted from Sapphire's novel "Push.'' It tells the story of an illiterate black girl who manages to rise above poverty, sexual and mental abuse. The film, which stars Mo'Nique, Mariah Carey, Paula Patton and others, won the grand jury prize at the Sundance Film Festival earlier this year and has been generating Oscar buzz.

Still, Daniels believes the cachet of Winfrey and hit filmmaker Perry will help the film, which comes out Nov. 6, build a greater audience.

Perry's latest movie, the comedy "I Can Do Bad All by Myself,'' opened at the top of the box office this weekend. Besides directing and writing the film, based on his stage play of the same name, Perry co-stars as his brash, cross-dressing alter ego, Madea. Perry's "Madea Goes to Jail'' also opened at No. 1 in February.

"My movies are art films. So many people don't see art films. People do see Oprah and Tyler's movies and they do hear Oprah's word, so it is really good,'' Daniels said.

Carey, Patton and newcomer Gabourey Sidibe, who plays the title role, gathered at a private cocktail reception prior to the movie's Toronto premiere where they later joined Winfrey on the red carpet.

"I couldn't wait to get here because I love it so much and I couldn't wait to see it again. I am just really excited,'' said Carey.

On the Net:

http://www.weareallprecious.com/



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'Bad' is good enough to top box office with $23.4M - Rapid City Journal

Posted: 15 Sep 2009 01:39 AM PDT

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Tyler Perry has a good thing going at the box office, with his latest comedy, "I Can Do Bad All By Myself," opening at No. 1 with $23.4 million.

Of the eight films Perry has made as writer, director and frequent co-star, five of them have debuted at the top spot.

Among the other new releases this weekend, the animated "9" came in at No. 2 with $10.7 million. Since its opening last Wednesday _ on 9-9-09 _ it's made just over $15 million.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Hollywood.com are:

1. "Tyler Perry's I Can Do Bad All By Myself," Lionsgate, $23,446,785, 2,255 locations, $10,398 average, $23,446,785, one week.

2. "9," Focus Features, $10,740,446, 1,661 locations, $6,466 average, $15,160,926, one week.

3. "Inglourious Basterds," Weinstein Co., $6,140,617, 3,215 locations, $1,910 average, $103,903,469, four weeks.

4. "All About Steve," Fox, $5,638,243, 2,265 locations, $2,489 average, $21,650,628, two weeks.

5. "The Final Destination," Warner Bros., $5,522,377, 2,732 locations, $2,021 average, $58,280,235, three weeks.

6. "Sorority Row," Summit, $5,059,802, 2,665 locations, $1,899 average, $5,059,802, one week.

7. "Whiteout," Warner Bros., $4,915,104, 2,745 locations, $1,791 average, $4,915,104, one week.

8. "District 9," Sony, $3,538,769, 2,560 locations, $1,382 average, $108,456,233, five weeks.

9. "Gamer," Lionsgate, $3,293,055, 2,502 locations, $1,316 average, $16,261,653, two weeks.

10. "Julie & Julia," Sony, $3,156,316, 2,343 locations, $1,347 average, $85,216,398, six weeks.

11. "G.I. Joe: The Rise of Cobra," Paramount, $2,455,620, 2,120 locations, $1,158 average, $144,200,266, six weeks.

12. "The Time Traveler's Wife," Warner Bros., $2,307,017, 2,228 locations, $1,035 average, $59,035,745, five weeks.

13. "Extract," Miramax, $2,163,337, 1,614 locations, $1,340 average, $8,601,746, two weeks.

14. "Halloween II," Weinstein Co., $2,114,486, 2,350 locations, $900 average, $30,094,379, three weeks.

15. "Shorts," Warner Bros., $1,211,156, 1,701 locations, $712 average, $19,716,511, four weeks.

16. "(500) Days of Summer," Fox Searchlight, $1,174,165, 790 locations, $1,486 average, $30,001,366, nine weeks.

17. "G-Force," Disney, $1,015,865, 965 locations, $1,053 average, $116,715,916, eight weeks.

18. "Harry Potter and the Half-Blood Prince," Warner Bros., $908,482, 744 locations, $1,221 average, $298,844,700, nine weeks.

19. "The Hangover," Warner Bros., $709,225, 564 locations, $1,257 average, $273,136,280, 15 weeks.

20. "The September Issue," Roadside Attractions, $693,862, 111 locations, $6,251 average, $1,266,000, three weeks.

On the Net:

http://www.hollywood.com/boxoffice

Universal Pictures and Focus Features are owned by NBC Universal, a unit of General Electric Co.; Sony Pictures, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount and Paramount Vantage are divisions of Viacom Inc.; Disney's parent is The Walt Disney Co.; Miramax is a division of The Walt Disney Co.; 20th Century Fox, Fox Searchlight Pictures and Fox Atomic are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a consortium of Providence Equity Partners, Texas Pacific Group, Sony Corp., Comcast Corp., DLJ Merchant Banking Partners and Quadrangle Group; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC Films is owned by Rainbow Media Holdings, a subsidiary of Cablevision Systems Corp.; Rogue Pictures is owned by Relativity Media LLC; Overture Films is a subsidiary of Liberty Media Corp.

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Movie review: Those glorious ‘Basterds’ - Lompoc Record

Posted: 15 Sep 2009 12:34 AM PDT

Watching the opening credits while being serenaded by the classic Western film theme "The Alamo," from 1960, one knows one is not going to be seeing a typical World War II film of yesteryear.

Quentin Tarantino's "Inglourious Basterds" is a masterful fantasy set during the war, but it has much more in common with a Sergio Leone Spaghetti Western than "The Dirty Dozen," or any other World War II saga.

Throwing history out the door, Tarantino once again blends brilliant dialogue with outrageous and melodramatic sequences, then throws in hysterical humor and bloody mayhem.

The film opens with a long segment of a Nazi SS officer, Colonel Hans Landa, interviewing a French dairy farmer about a missing Jewish family.

Christoph Waltz shines as the evil Landa. In a role that won Best Actor at the Cannes Film Festival this past May, Waltz is menacing and brutal. He dominates every scene he is in throughout the film.

When the Jewish family is discovered, they are all brutally killed except young teenager Shosanna who escapes.

As scary as the Lando character is, Brad Pitt as Second Lieutenant Aldo Raine is wildly funny. With a thick Tennessee accent, Raine, also known as "Aldo The Apache," is introduced giving a speech to volunteers for a special detail, whose one goal is to get behind the lines and kill as many Nazis as possible.

Raine takes his group deep behind the lines and they wreak havoc in several bloody and brutal ways.

Another story involves Shosanna — now known as Emmanuelle Mimieux — who now runs a movie theater in Paris. She is played with much melancholy by French actress Melanie Laurent.

A German war hero named Fredrick Zoller (Daniel Bruhl) is smitten with Emmanuelle and wants to have a movie about his life premiere at her theater.

When Emmanuelle learns that Adolf Hitler, Joseph Goebbels and other major players in the Third Reich are planning to attend the premiere, she agrees as she plans a violent and bloody revenge.

The final story line involves a plot by the English to go to the same premiere and assassinate everyone present. The plan is discussed by General Ed Fenech, played in cameo by Mike Myers, Rod Taylor as Winston Churchill and Michael Fassbender as Lieutenant Archie Hicox.

Hicox, posing as a German officer, is to attend the theater with Bridget von Hammersmark (Diane Kruger), a popular German actress and a spy for the Allies.

Another great scene involves Hicox, Hammersmark, a Gestapo officer and a group of German soldiers in a basement bar as they play a game of cat and mouse that ends in another bloody outburst.

Again, great dialogue makes the scene riveting, as does the dialogue immediately in the aftermath of the showdown.

Throughout the film Tarantino uses old film music by Ennio Morricone, who did most of the music for the classic Leone films.

While there are several humorous sequences, there are just as many serious and melodramatic scenes. Each story concludes with a very sudden and violent climax.

All the different storylines end up blending as well, pulled together wonderfully by editor Sally Menke. A longtime collaborator on most Tarantino films — including the Oscar nominated "Pulp Fiction" in 1995, Menke understands Tarantino's rhythm and cadence.

Outstanding performances abound led by Waltz, Pitt, Laurent and Kruger.

"Inglourious Basterds" is a terrific piece of filmmaking in all its quirkiness and is Tarantino's best film since "Pulp Fiction."



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Childhood with circus prompts filmmaker to make movie - Salisbury Post

Posted: 15 Sep 2009 12:49 AM PDT

Childhood with circus prompts filmmaker to make movie

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By Emily Ford

eford@salisburypost.com

KANNAPOLIS — Michael Knox, 35, lived with the circus as a child. For several summers in elementary school, Knox traveled with the Clyde Beatty Cole Bros. Circus, riding elephants, helping put up tents and making cotton candy.

His family worked for the circus, serving in every position from welder to clown.

When Knox learned that the circus was in danger of closing, he did what he could to help save it.

He made a movie.

"This was the best part of my childhood," said Knox, an Asheville filmmaker.

His first full-length feature film, a documentary called "Tearing Down the Tent," will debut at the Modern Film Fest at the Gem Theatre in downtown Kannapolis.

Knox's film will screen at 7 p.m. Sept. 25.

The film festival, the brainchild of Knox and co-director Ben McNeely, will offer 15 films in three days.

From Sept. 25 to 27, the event will take over the historic Gem Theatre near the N.C. Research Campus, featuring films as varied as the cult classic "Night of the Living Dead," the star-studded "Gigantic" and the animated online hit, "Sita Sings the Blues."

"The line-up of films is very diverse," Gem Theatre owner Steve Morris said. "They've got something that will appeal to a broad range of the community."

Morris said he enthusiastically agreed to host the festival.

"As our community becomes more diverse and a lot of new folks are coming in with the Research Campus, this is a great way to offer something a little bit different," he said.

The festival kicks off at 5 p.m. Friday with "Sons of Cuba," but "Gigantic," starring Ed Asner, John Goodman and Jane Alexander, likely will draw the bigger crowd at 9 p.m.

A zombie costume contest begins at 10 p.m. Friday in front of the Gem in preparation for the 11 p.m. screening of the original version of George A. Romero's "Night of the Living Dead."

The best dressed zombies will win free tickets to the entire festival. Tickets cost $4 per film or $42 for the whole weekend.

Saturday will feature free admission for veterans to the noon screening of "The Way We Get By," a tear-jerker about three senior citizens who have greeted more than 900,000 returning troops at the Bangor International Airport in Maine.

"It's a touching story, and it seems to be getting a lot of momentum all around the country," Morris said.

A free panel discussion on the Charlotte area film industry begins at 2:30 p.m. Saturday at the Core Laboratory Building on the Research Campus.

Throughout the festival, which runs until the final 9 p.m. Sept. 27 screening of "Heart of Fire (Feuerherz)," the City of Kannapolis will host bands in between films in Veterans Park, across the street from the theatre.

The Research Campus will host a gala reception at Restaurant 46, next door to the Gem, immediately following the 7:30 p.m. Sept. 26 screening of "Garrison Keillor: The Man on the Radio in the Red Shoes."

Gala tickets cost $25 each and include meeting and mingling with the regional film community, hors d'oeuvres and complimentary house wines and beers.

Festival organizers, who are all volunteers, had to find a way to retrofit the 1936 movie theatre for a digital projector and soundboard, Knox said. City staff provided valuable expertise and equipment, he said.

"We couldn't do this festival without the City of Kannapolis," he said. "The way people have embraced this is great."

Knox appears briefly in his circus film, which follows friend Jamie Reel as he joins the circus for the first time.

Reel works alongside performers and vendors, doing everything from shoveling animal dung and dressing as a clown to surviving the Motor Globe of Death while a motorcycle races around his head at 35 mph.

The movie was filmed in Wilmington over a week. Knox said he hopes the publicity from the movie will help save the circus he loved as a child, now called Cole Bros.

As for the film festival, he's moved on.

"We're already talking about what we can do better next year," Knox said.



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Detective’s movie-star status helps support local charities - Daily Texan Online

Posted: 15 Sep 2009 01:10 AM PDT

In every cell of a comic book's pages, within the text bubbles and beyond a caped hero, there lies the power to invigorate the superhero within children and adults alike.

Austin Police Department Detective Jarrett Crippen, also known by his superhero alias The Defuser, raised spirits and money for local charities by selling his comic book and premiering his SyFy channel movie, "Lightning Strikes," at La Zona Rosa on Saturday. In addition to his superhero activities, Crippen runs a charity which raises funds for cancer research, in particular, through funds raised from a haunted house that runs each October.

The Defuser is a blue-spandex-clad herald of justice equipped with a utility vest and belt sporting non-lethal weaponry. Crippen created the hero in middle school and revived him for the SyFy channel's 2006 game show "Who Wants to be a Superhero?"

"My message is to tell kids that whether it's school, sports, chess — whatever it is ­— give it 110 percent," Crippen said.

"And I want kids to know guns can be dangerous, but they are also just a tool … I think if I can get anything across to kids, it's how to be a hero in your
community."

Crippen competed among 25 participants through challenges reflecting superhero encounters, including one where The Defuser fought through 75 feet of a simulated hurricane created by turbo fans coupled with fire hoses.

The show was hosted by Spider-man creator Stan Lee, who granted a Dark Horse Comics book deal and an appearance in a SyFy movie to the competitor that survived through all the challenges.

Since winning the show, Crippen has made appearances at comic book conventions, parades, boy and girl scout camps, and multiple school functions. At each appearance, he sells Defuser merchandise, including comic books and T-shirts, and donates the profits to cancer-related charities.

Crippen used his Defuser appearance Saturday to promote his charity, SCARE for a CURE, and raise funds for The Breast Cancer Resource Center of Texas. The group's assistant director Susan Pratt said the charity raised over $10,000 last year in scholarship money for students affected by cancer.

Pratt said the group's main event each year is an interactive extreme haunted house that runs the last two weekends in October. The house is built by volunteers and showcases a frightful tour with volunteer actors in makeup waiting within.

Over a thousand volunteer hours have already been put into the haunted house, she said.

She said the charity also promotes blood drives and attends events such as Eeyore's Birthday, Bat Fest and the Alamo Drafthouse's Terror Tuesdays.

Ian Wolf is a volunteer for the charity who has not only helped build the house, but has also played the part of a crazed doctor with bloodshot eyes for the house's guests.

"It's great for the community because all the money that we raise stays here in Austin — it's Austin-bound," Wolf said. "It's building a haunted house to scare people for a good cause — how [much more] weird can you be than that? It screams Austin."

Crippen said although he is occasionally recognized by citizens as a result of the SyFy show, his aim is to promote The Defuser's message, which he said has eclipsed himself.

He encourages children to be more proactive within their community and adults to be more selfless and use their resources to garnish goodwill.

"There are just so many ways to volunteer. You just have to make a decision you are going to get up and do it," Crippen said. "If I can do anything to inspire people to take some of their own personal time and give a little bit, my job's done."

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